| Star Wars Episode I: The Phantom Menace |
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|---|---|
Theatrical poster by Drew Struzan |
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| Directed by | George Lucas |
| Produced by | Rick McCallum |
| Written by | George Lucas |
| Starring | Liam Neeson Ewan McGregor Natalie Portman Jake Lloyd Ian McDiarmid Anthony Daniels Kenny Baker Pernilla August Frank Oz |
| Music by | John Williams |
| Cinematography | David Tattersall |
| Editing by | Ben Burtt Paul Martin Smith |
| Studio | Lucasfilm |
| Distributed by | 20th Century Fox |
| Release date(s) | May 19, 1999 |
| Running time | 133 minutes |
| Country | United States |
| Language | English |
| Budget | $115 million[1] |
| Box office | $924,317,558[1] |
Star Wars Episode I: The Phantom Menace is a 1999 American epic space opera film written and directed by George Lucas. It is the fourth film to be released in the Star Wars saga, as the first of a three-part prequel to the original Star Wars trilogy, as well as the first film in the saga in terms of story chronology. The Phantom Menace was also Lucas' first product as a film director after 22 years, and only his fourth overall with the Star Wars films.
The film follows the Jedi Master Qui-Gon Jinn and his apprentice Obi-Wan Kenobi, who escort and protect Queen Amidala in traveling from the planet Naboo to the planet Coruscant in the hope of finding a peaceful end to a large-scale interplanetary trade dispute. The film also features a young Anakin Skywalker before he became a Jedi, introduced as a young slave boy who seems to be unusually strong with nascent powers of The Force, and must contend with the mysterious return of the Sith.
Lucas began production of this motion picture after he had concluded that the science of movie special effects had advanced to the level of what he wanted for his fourth film in the Saga. Its filming took place during 1997 at various locations including Leavesden Film Studios and the Tunisian desert. Its special effects included extensive use of computer-generated imagery (CGI), with some of its characters and its settings being completely computerized and not existing at all in the real world.
The Phantom Menace premiered in theaters on May 19, 1999, sixteen years after the 1983 premiere of the previous film in the saga, Return of the Jedi. The film's premiere was accompanied by extensive media coverage and great anticipation. Despite mixed reviews by critics, who tended to praise the visuals and action sequences but criticize the writing, characterization and acting, it grossed $924.3 million worldwide, making it the Star Wars film with the highest gross-income (unadjusted for inflation), the 18th highest gross-income film of all time, and the highest-income film of 1999. It is also the seventh highest-income film of all time at the American box office. A 3D re-release has been confirmed, with an approximate release date of February 10, 2012.
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The Galactic Republic is in a period of decline. In response to a taxation on trade routes, the Trade Federation organizes a blockade of battleships around the planet of Naboo. Supreme Chancellor Finis Valorum (Terrence Stamp) dispatches two Jedi, Qui-Gon Jinn (Liam Neeson) and his Jedi apprentice Obi-Wan Kenobi (Ewan McGregor) to negotiate with Trade Federation Viceroy Nute Gunray (Silas Carson), in hopes of resolving the issue. However, Darth Sidious orders the army to kill the Jedi and invade Naboo with an army of battle droids. The two Jedi escape the attempt on their lives by stowing aboard landing craft and escaping to Naboo. There, Qui-Gon saves Gungan outcast Jar Jar Binks (Ahmed Best) from being crushed by a Federation tank. Indebted to the Jedi, Jar Jar leads them to the underwater Gungan city of Otoh Gunga; there, the Jedi unsuccessfully attempt to persuade the Gungans to help the people of Naboo, though they are able to obtain a transport to reach the Capital city of Theed on the surface.
Queen Amidala (Natalie Portman) is captured by the Federation army, but is rescued by the Jedi. The Queen escapes Naboo with the Jedi on her personal starship, which is damaged on its way through the blockade surrounding the planet, forcing them to land on Tatooine, a nearby desert planet, for repairs. Qui-Gon ventures into the settlement of Mos Espa with Jar Jar and the astromech droid R2-D2 to a junk shop to purchase a new hyperdrive generator. The queen allows Padmé, supposedly a handmaid, to journey along with them. There, they meet a slave child named Anakin Skywalker (Jake Lloyd), an interesting pilot and engineer who has created his own protocol droid, C-3PO. After spending time with Anakin, Qui-Gon senses a strong presence of the Force within the boy, and suspects he may be the "Chosen One" of Jedi prophecy who will bring balance to the Force. Qui-Gon makes a bet with Anakin's owner, Watto (Andy Secombe), to enter him in a podracing tournament; if Anakin wins, he will be freed. Anakin manages to win the race and joins the group to be trained as a Jedi, but he is forced to leave his mother Shmi (Pernilla August) behind, as Qui-Gon was unable to arrange for her release. They are attacked by Darth Sidious' apprentice, Darth Maul (Ray Park), who was dispatched to capture the Queen.
Having escaped the attack, the Jedi escort the Queen to the Republic capital planet of Coruscant so she can plead her people's case to Chancellor Valorum. Qui-Gon offers the Jedi Council to train Anakin as a Jedi, but is rejected. Meanwhile, Senator Palpatine of Naboo convinces the Queen to a motion of no confidence in Valorum in attempt to vote for a stronger Chancellor who will help end the conflict. She pushes such a vote, but grows frustrated with the lack of action by the Galactic Senate, ultimately deciding to return to Naboo with the Jedi.
Back on Naboo, Padmé reveals herself to be Queen Amidala, the other "Queen" having been a decoy. Padmé convinces the Gungans to form an alliance against the Trade Federation. While Jar Jar leads his people in a battle against the droid army and the Queen comes in to capture Gunray in Theed, Anakin pilots a vacant starfighter and joins the fight against the Federation droid control ship in space, and—using the Force—destroys the ship, deactivating the droid army. Meanwhile, Obi-Wan and Qui-Gon encounter Darth Maul once more and engage him in a lightsaber duel. Maul mortally wounds Qui-Gon, but is killed by Obi-Wan; Qui-Gon's dying request is for Obi-Wan to train Anakin. Palpatine is elected as the new Supreme Chancellor, the Federation Viceroy is sent to stand trial for his crimes, Obi-Wan is bestowed the rank of Jedi Knight, and the Jedi Council accepts Anakin to become Obi-Wan's apprentice. At a festive ceremony, Padmé presents a gift of appreciation and friendship to the Gungans.
During the process of writing the original Star Wars, George Lucas reportedly realized that the story he had written was too vast in scope to be covered in one stand-alone film, and thus, the original film was meant to be the introduction to a much wider story arc that could be covered by sequels if the first film turned out to be successful. The original movie eventually evolved, from being the first movie in the sequence, to a film actually belonging to the second trilogy in the saga.[25][26] By the time of the third draft Lucas had negotiated a contract that gave him rights to make two sequels. He had also by that point developed a fairly elaborate back-story to aid his writing process.[27] While writing the first sequel, The Empire Strikes Back, Lucas considered different directions in which to take the story. He turned the villain Darth Vader into the father of hero Luke Skywalker, and developed a backstory depicting Vader as having once been Jedi Knight Anakin Skywalker, a powerful warrior who was swayed to the dark side of the Force.[28] With this new backstory in place, Lucas decided that the series would be a trilogy, renaming the film from "Episode II" to "Episode V".[29] By the time of the final film of the trilogy, Star Wars Episode VI: Return of the Jedi, Vader became a tragic character and was ultimately redeemed. However, Lucas stated that he was "burned out" and would take a break from the series.[30]
After losing much of his fortune in a divorce settlement in 1987, George Lucas had no desire to return to Star Wars, and had unofficially canceled his Sequel Trilogy by the time of Return of the Jedi. But since Lucas had developed most of the backstory, the idea of prequels continued to fascinate him.[31] In the early 1990s, Star Wars saw a resurgence in popularity in the wake of Dark Horse's comic line and Timothy Zahn's trilogy of novels. Seeing that there was still a large audience for his idea of a prequel trilogy, and with the explosion of CGI technology, George Lucas considered returning to directing.[32] By 1993 it was announced, in Variety among other sources, that he would be making the prequels. He began outlining the story, now indicating that Anakin Skywalker would be the main protagonist rather than Obi-Wan Kenobi, and that the series would be a tragic one examining Anakin's turn to the dark side. Lucas also began to change how the prequels would exist relative to the originals, from a "filling-in" of history, backstory, existing parallel or tangential to the originals, to the beginning of one long story that started with Anakin's childhood and ended with his death. This was the final step towards turning the franchise into a "saga".[33]
George Lucas began writing the new Star Wars trilogy on November 1, 1994.[34] The screenplay for Star Wars was adapted from Lucas' 15-page outline that was written in 1976. The early outline was originally designed to help Lucas track the character backstories and what events had taken place before the original trilogy.[34] While the working title for the film was The Beginning,[34] Lucas later revealed the true title to be The Phantom Menace; a reference to Palpatine hiding his true identity as an evil Sith Lord behind the facade of a well-intentioned public servant.[35]
Within three to four months of Lucas beginning the writing process, Doug Chiang and his design team started a two-year process of reviewing thousands of designs for the film.[36] Stunt coordinator Nick Gillard was recruited to create a new Jedi fighting style for the prequel trilogy. Gillard likened the lightsaber battles to a chess game "with every move being a check." Because of their short-range weapons, Gillard theorized that the Jedi would have had to develop a fighting style that merged every swordfighting style, such as kendo and other kenjutsu styles, with other swinging techniques, such as tennis swings and tree-chopping. While training Liam Neeson and Ewan McGregor, Gillard would write a sequence to be an estimated 60 seconds long, meant to be among five to six sequences per fight.[37] Lucas later referred to Jedi as being "negotiators", rather than high-casualty soldiers. The preference of hand-to-hand combat was intended to give a more spiritual and intellectual role to the Jedi.[37] Lucas also decided to make elaborate costumes, considering that the society was more sophisticated than the one depicted in the original trilogy. Designer Trisha Biggar and her team created over one thousand costumes, with inspiration from various cultures around the globe.[38]
Filming began on June 26, 1997 and ended on September 30 of that year, primarily taking place at Leavesden Film Studios in England, with additional location shooting in the Tunisian desert for the Tatooine scenes and the Italian Caserta Palace for the Theed City Naboo Palace interior.[39] The city of Mos Espa was built in the desert outside Tozeur. On the night following the third day of shooting in Tozeur, an unexpected sandstorm destroyed many sets and props. With a quick rescheduling to allow for repairs, production was able to leave Tunisia on the exact day originally planned.[40]
The Phantom Menace would be the final Star Wars film to be shot on 35mm film. All future films would be shot using Sony CineAlta high-definition video cameras.
Up until the production of The Phantom Menace, many special effects in the film industry were achieved by the use of miniature models, matte paintings, and on-set visual effects, although other films had made extensive use of computer-generated imagery (CGI). Visual effects supervisor John Knoll previewed 3,500 storyboards for the film, with Lucas accompanying him to explain what factors of the shots would be practical and what would be created through visual effects. Knoll later recounted that on hearing the explanations of the storyboards, he was unaware of any way to accomplish what he had seen. The result was to mix original techniques with the newest digital techniques to make it difficult for the viewer to guess which technique was being used. New computer software was written by Knoll and his visual effects team to create certain shots in the film. Another goal was to create computer-generated characters that could act seamlessly with live-action actors. While filming scenes with CGI characters, Lucas would block the characters using their corresponding voice actor on-set. The voice actors were then removed and the live-action actors would perform the same scene alone. A CGI character would later be added into the shot, completing the conversation.[41] Lucas also used CGI to correct the physical presence of actors in certain scenes.[16] About 1,950 of the shots have special effects, with the scene where toxic gas is released on the Jedi being the only sequence without any digital alteration.[16]
Having confronted problems with the props used to depict R2-D2 before, Lucas allowed two companies, Industrial Light & Magic (ILM) and the production's British special effects department, to create their own versions for the robot. Nine R2-D2 models were created; one was for actor Kenny Baker to be dropped into; seven were built by ILM, and featured two wheelchair motors capable of pushing 440 pounds (198 kilograms) of weight, enabling it to run and being mostly used in stage sets; and the British studio produced a "pneumatic" R2 that was able to shift from two to three legs, and was mostly used in Tunisia, because that R2's motor drive system allowed it to drive over sand.[42]
To research for the podrace vehicles, the visual effects crew went to a jet junkyard outside Phoenix, and scavenged four Boeing 747 engines.[16] Life-sized replicas of the engines were built, and sent to Tunisia to provide reference in the film. Besides Jake Lloyd inside a hydraulic-controlled cockpit, the entire podracing scene is computer-generated, including the scenario, which the effects crew tried to design to be as "out of this world" as possible.[39]
As with previous Star Wars installments, the score of The Phantom Menace was composed and conducted by John Williams. He started working in the score in October 1998, and began recording the music with the London Voices and London Symphony Orchestra at Abbey Road Studios on February 10, 1999. Williams decided to use more electronic instruments such as synthesizers to enhance the sound, and more choral pieces to "capture the magical, mystical force that a regular orchestra might not have been able to provide" and reflect the different atmosphere, "more mysterious and mystical and less military" than the original trilogy.[43] One of the most notable tracks is "Duel of the Fates", that even received its own music video, which uses the chorus introduced to give a religious, temple-like feel to the epic lightsaber duel.[44] While composing Anakin's theme, Williams tried to both reflect the innocence of his childhood, and foreshadow his transformation into Darth Vader by putting slight suggestions of "The Imperial March" into the melody.[43]
The soundtrack for the film was released by Sony Classical Records on May 4, 1999. This album featured the score restructured by the composer as a listening experience, it is therefore not in film order and omits many notable cues from the film due to space restrictions of a compact disc.[45] A two-disc "Ultimate Edition" was released on November 14, 2000. The set features almost the entire score as it is heard in the film, including all of the edits and loops that were made for the sound mix.[46]
The release of the first new Star Wars film in 16 years was accompanied by a considerable amount of hype.[47] Few film studios released films during the same week as the release of The Phantom Menace; among them were DreamWorks and Universal Studios, with the releases of The Love Letter and Notting Hill respectively.[48] The Love Letter resulted in a box-office flop, whereas Notting Hill fared rather well and followed The Phantom Menace closely in second place.[49] Challenger, Gray & Christmas of Chicago, a work-issues consulting firm, estimated that 2.2 million full-time employees did not appear for work to attend the film, resulting in $293 million in lost productivity. According to The Wall Street Journal, so many workers announced plans to view premiere screenings that many companies shut down on the opening day.[50] Queue areas formed outside cinema theaters over a month in advance of ticket sales.[51]
More theater lines appeared when it was announced that cinemas were not allowed to sell tickets in advance until two weeks into the release. This was done out of fear that family theater-goers would be either unable to receive tickets or forced to pay higher prices. Tickets were instead to be sold on a traditional first-come-first-served basis.[52] However, after meetings with the National Association of Theatre Owners, Lucasfilm agreed to allow advance ticket sales on May 12, 1999, provided that there be a twelve-ticket limit per customer.[53] As a result, however, some advance tickets were sold by scalpers as high as $100 apiece, which a distribution chief called "horrible", stating it was exactly what they wanted to avoid.[54] Daily Variety reported that theater owners received strict instructions from Lucasfilm that the film could only play in the cinema's largest auditorium for the first 8–12 weeks; no honor passes were allowed for the first eight weeks, and they were obligated to send their payments to distributor 20th Century Fox within seven days.[55]
Despite worries about whether the film would be finished in time, two weeks before its theatrical release Lucasfilm pushed the release date up from May 21, 1999 to May 19, 1999. At the ShoWest Convention, Lucas stated that the change was to give the fans a "head start" by allowing them to view it over the week and allowing families the chance to view it on the weekends. Foreshadowing his future conversion to digital cinematography, Lucas stated that the film would be released on four digital projectors on June 18, 1999.[56] Eleven charity premieres were staged across the United States on May 16, 1999; receipts from the Los Angeles event were donated to the Elizabeth Glaser Pediatric AIDS Foundation with corporate packages available for $5,000–$25,000.[57] Other charity premieres included the Dallas premiere for Children's Medical Center, the Aubrey Fund for Pediatric Cancer Research at the Sloan-Kettering Hospital in New York, the Big Brother/Sister Association of the Philadelphia premiere, and the Children's National Medical Center in Washington D.C. A statement said that tickets were sold at $500 apiece and that certain sections were set aside for disadvantaged children.[58]
Lucasfilm spent $20 million in The Phantom Menace's advertising campaign. The company also made licensing deals for promotion with Hasbro, Lego, Tricon Global Restaurants and PepsiCo.[59] Lucasfilm also helped the Star Wars fan club to organize a special event, Star Wars Celebration, which was held in Denver, Colorado between April 30 and May 2, 1999.[60]
The teaser trailer was pre-released on selected screens accompanying A Bug's Life on November 17, 1998, and there were even reports that people were paying full admission at theaters just to see the trailer.[61] A bootlegged version of the preview was leaked on the internet the same day,[62] and the trailer was released the following morning on the film's official website, with the servers becoming gridlocked soon after.[63] The theatrical trailer caused even more notable media hype, because it not only premiered in theaters, but screened at the ShoWest Convention in Las Vegas,[64] and was aired on Entertainment Tonight and Access Hollywood.[62]
The teaser poster, featuring Anakin with his shadow forming Darth Vader's silhouette, was released on November 10, 1998. After Lucas opted for a drawn theatrical poster, Drew Struzan, the artist responsible for the Special Edition posters, was commissioned to illustrate, and the poster was unveiled on March 11, 1999. Lucasfilm dictated that, contractually, Struzan's illustration was the only art the foreign distributors could use, and other than the text, it could not be modified in any way.[65]
Many tie-in adaptations were released, such as a LucasArts video game for the PlayStation and PC,[66] a pinball machine by Williams,[67] a four-part comic book adaptation by Dark Horse Comics,[68] and a junior novelization by Scholastic.[69] The official novelization of the film was written by Terry Brooks, who met with Lucas before writing the book and received his approval and guidance, including information about impending developments in the following two installments of the series. Brooks also wrote three chapters of unique material.[70]
Star Wars Episode I: The Phantom Menace was released on VHS on April 4, 2000, in two different versions, a standard pan and scan and a Collector's Edition widescreen. In its first two days of availability, the regular version sold 4.5 million copies and the limited edition, 500,000.[71] Later it became the first Star Wars film to be officially released on DVD, on October 16, 2001. The DVD version of the film had certain scenes and other elements edited and inserted by George Lucas, making it slightly different from its theatrical release while retaining an identical plot. Among the special features are seven deleted scenes completed specifically for the DVD, a commentary track featuring among others Lucas and producer Rick McCallum, and a number of documentaries, including a full-length documentary entitled "The Beginning: Making Episode I". The Phantom Menace became the fastest selling DVD ever in the US, with 2.2 million copies sold in its first week after release.[72] The DVD version was re-released in a prequel trilogy box set on November 4, 2008.[73] A Laserdisc version of The Phantom Menace was also released in Japan, several months before it was available on DVD in the US.[74] The Star Wars films were released on Blu-ray Disc on September 16, 2011 in three different editions.[75]
In September 2011, it was announced that all six films in the series will be stereo converted to 3D. The films will re-release in internal-saga order beginning with The Phantom Menace, which is scheduled to be released on February 10, 2012.[76] The teaser poster was released on the internet on October 17, 2011.
The Russian poster for the new release appears to show a CGI Yoda in the 3D version.[77]
The Phantom Menace received mixed reviews from film critics and international backlash from fans. It received a rating of 61% from Rotten Tomatoes with an average rating of 5.9/10,[78] making it the lowest rated Star Wars film. Some aspects of the scripting were criticized, especially the character of Jar Jar Binks, who was regarded by many members of the older fan community as purely a merchandising opportunity rather than a serious character in the film.[79][80][81] Kenneth Turan of the Los Angeles Times described Binks as "a major miscue, a comic-relief character who's frankly not funny." [82] He also criticized the American media for using fan opinions from the Internet as a reliable source for their news stories,[83] although the Binks character was widely derided by fans and critics alike.[84] In 2002, with the release of Star Wars Episode II: Attack of the Clones, Ewan McGregor said that in retrospect The Phantom Menace slightly lacked some of the "humor and color" of the forthcoming prequels. He felt as a result of bearing the weight of setting up the entire saga, it seemed "kind of flat."[85] One critic observed that, "Perhaps the absolute creative freedom director George Lucas enjoyed while dreaming up the flick's 'comic' relief—with no studio execs and not many an independently minded actor involved—is a path to the dark side." [86]
However, despite the negative criticisms leveled at the film, many others praised The Phantom Menace. Roger Ebert gave it three and a half out of four stars, calling it "an astonishing achievement in imaginative filmmaking," and stating that "Lucas tells a good story." Ebert also commented that it was perfectly fine for the characters being a bit less compelling, seeing that they were just being introduced, and hypothetically entreating filmmakers to "give me transparent underwater cities and vast hollow senatorial spheres any day."[87] Owen Gleiberman of Entertainment Weekly complimented Liam Neeson's performance and the action scenes,[88] and Susan Wloszczyna of USA Today thought the movie did "plenty right," including the characters of Darth Maul and Watto.[89] David Cornelius of efilmcritic.com remarked that the better moments of the film "don't merely balance out the weaker ones — they topple them."[90] Colin Kennedy of Empire said that despite problems with pacing and writing "there is still much pleasure to be had watching our full-blown Jedi guides in action", praising the visuals and Liam Neeson's performance, and considering the duel between Darth Maul and the Jedi "the saga's very best lightsaber battle".[91]
Nevertheless, The Phantom Menace was rated by Entertainment Weekly as one of "The 25 Worst Sequels Ever Made".[92] Similarly, Comcast ranked the film as the worst movie sequel of all time.[93] James Berardinelli would later note, "The Phantom Menace was probably the most overhyped motion picture of the last decade (if not longer), and its reputation suffered as a result of its inability to satisfy unreasonable expectations."[94] William Arnold, of the Seattle Post-Intelligencer, agreed that the massive hype of the film caused much of the negative reaction, saying "it built expectations that can't possibly be matched and scuttled (the) element of storytelling surprise." However, he also felt that the film was "well made and entertaining" and believed it was much better than similar box office fare released around that year, such as The Mummy and The Matrix.[95]
The introduction of midi-chlorians (microscopic organisms mediate use of the Force) in the film has been controversial among fans. Those against it have seen it as a concept that negates the spiritual quality of the Force. Film historian Daniel Dinello notes, "Anathema to Star Wars fanatics who thought they reduced the Force to a kind of viral infection, midi-chlorians provide a biological interface, the link between physical bodies and spiritual energy."[96] Religion expert John D. Caputo adds, "In the 'Gospel according to Lucas' a world is conjured up in which the intractable oppositions that have tormented religious thinkers for centuries are reconciled. ... The gifts that the Jedi masters enjoy have a perfectly plausible scientific basis, even if its ways are mysterious: their bodily cells have a heavier than usual concentration of 'midi-chlorians.'"[97]
After the release of the film, there was controversy over whether several alien characters reflected racial stereotypes, notably: the oafish, slow-witted Jar Jar Binks had long droopy ears reminiscent of dreadlocks and spoke with what many perceived as a Caribbean patois (particularly Jamaican Creole);[98] the greedy and corrupt Neimoidians of the Trade Federation spoke with East Asian accents; and the unprincipled desert trader Watto has been interpreted as a Fagin-esque Jewish stereotype. Lucas has categorically denied all of these implications;[79] however, animator Rob Coleman admitted that he viewed footage of Alec Guinness as Fagin in Oliver Twist to inspire his animators in creating Watto.[99] Jar Jar Binks was described by one critic as "Servile and cowardly...a black minstrel-ish stereotype on par with Stepin Fetchit."[86] Michael Eric Dyson, professor of African-American studies at Georgetown University, observed that the entire Gungan people seem oddly suggestive of a primitive African tribe: "The leader of Jar Jar's tribe is a fat, bumbling buffoon with a rumbling voice, and he seems to be a caricature of a stereotypical African tribal chieftain."[84]
Despite its mixed critical reception, The Phantom Menace was a major financial success, breaking many box office records in its debut. It broke The Lost World: Jurassic Park's records for the largest single-day gross with more than $28 million in the opening day (surpassed in 2001 by Harry Potter and the Sorcerer's Stone), and fastest to $100 million gross in five days (surpassed in 2002 by Spider-Man).[100] It also became the fastest movie to reach the $200 million and $300 million mark, surpassing Independence Day and Titanic respectively.[101] The Phantom Menace was 1999's most successful film, earning more than $431 million in North America and $493 million elsewhere.[101] The worldwide total of $924 million makes it the seventeenth highest grossing film of all time, as well as the most financially successful Star Wars film in the saga when not adjusted for inflation of ticket prices.[102] International grosses which exceeded $10 million included Australia ($25.9 million), Brazil ($10.4 million), France and Algeria ($43 million), Germany ($53.9 million), Italy ($12.9 million), Japan ($109.9 million), Mexico ($12 million), Spain ($25 million), and the United Kingdom and Ireland ($81.9 million).[103]
The Phantom Menace was nominated for three Academy Awards: Best Sound Effects, Best Visual Effects, and Best Sound (Gary Rydstrom, Tom Johnson, Shawn Murphy and John Midgley), losing all three to The Matrix.[104][105] In contrast, the film received seven Golden Raspberry, or Razzie, nominations. These included Worst Picture, Worst Director, Worst Screenplay, Worst Supporting Actor (Jake Lloyd as Anakin), Worst Supporting Actress (Sofia Coppola as Saché), Worst Screen Couple (Jake Lloyd and Natalie Portman), and won the Worst Supporting Actor category with Jar Jar Binks actor Ahmed Best.[106] The film won Saturn Awards for Best Costumes and Best Special Effects,[107] the MTV Movie Award for Best Action Scene,[108] and a Young Artist Award for Jake Lloyd's performance.[109] It was also nominated for, among others, the BAFTAs in Visual Effects and Sound,[110] and the Grammy Award for Best Soundtrack.[111] Empire ranked The Phantom Menace 449th in a 2008 list of the 500 greatest movies of all time.[112]
Like previous Star Wars films, The Phantom Menace makes several references to both historical events and films from George Lucas' youth. The Star Wars movies typically mix several selected concepts from different mythologies and religions together.[113]
The Jedi practice Zen-like meditation and martial arts, as did the ancient Japanese Samurai warriors. The name "Qui-Gon" adapts the term Qigong, which refers to a Chinese discipline involving meditation and the cultivation of an unseen force "Chi" or "Qi" for healing, health and combat. The words ki (Japanese) and Ch'i (Chinese) are translations of the Indian term "Prana", referring to the energy thought to flow through all living things from the source of all chi (or power) which is "The Way" or "The Tao" in Chinese philosophy. In Taoist philosophy, The Way is understood to have two sides, yin and yang. Unlike Chinese philosophy, where yin and yang are not moral qualities, the ancient Persian philosophy of Zurvanism taught that the dualism of dark and light forces are locked in eternal battle while at the same time being two sides (or evolutes) of the same "Force", the force of time itself (Zurvan): the prime mover. These elements derive primarily from Eastern and Iranian religions and myths.[113]
There are many Christian and Biblical references in the film, such as the appearance of Darth Maul, whose design draws heavily from traditional depictions of the Christian Devil, complete with red skin and horns.[113] The Star Wars film cycle features a similar religious narrative involving Anakin Skywalker, the "chosen one" conceived of a virgin birth, who is tempted to join the Sith. His fall from grace seemingly prevents him from fulfilling his destiny as the "chosen one"—the individual prophesied to bring balance to the Force. The inspiration behind the story of the "virgin birth" parallels a concept developed by Joseph Campbell and his work on The Hero with a Thousand Faces, the same work that heavily influenced Lucas in his writing of the original Star Wars trilogy's outline.[113]
Japanese film such as Akira Kurosawa's The Hidden Fortress was a source of inspiration for Star Wars Episode IV: A New Hope, and scholars point out that The Phantom Menace was likewise influenced by Japanese culture. Film historians Geoff King and Tanya Krzywinska assert, "The costume and make-up designs ... favour a mixture of the gothic and the oriental over anything very futuristic. The gothic is most strongly apparent in Darth Maul's demonic horns and the red and black make-up mask that borrows from the facial designs found in depictions of Japanese demons." King and Krzywinska note that "Qui-Gon's pony tail and Obi-Wan's position of apprentice further encourage a reading in terms of the Samurai tradition." Finally, "Amidala, in keeping with her status and character, has a number of highly formal outfits ... to go with hair sculpted into a curve that frames make-up of a Japanese cast."[114]
The design of the spaceship of Queen Amidala's ship is based on the actual US strategic reconnaissance airplane Lockheed SR-71 Blackbird.
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